Carlo Montanaro

A history of transformations in moviemaking technology, from pigments to pixels, celluloid to CGI. An era has ended. After one hundred and twenty-five years, a change has taken place in cinemas. The thousands of figures formed by silver and colored pigments can no longer be viewed through transparent film-instead, everything has become digital, compressed, virtual and built into the rapid alternation of millions (hopefully, for quality's sake) of...