Digital Barbarism
(eAudiobook)

Book Cover
Average Rating
Published
HarperAudio, 2009.
Format
eAudiobook
Status
Available Online

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Physical Description
8h 57m 16s
Language
English
ISBN
9780061780158

Syndetics Unbound

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Citations

APA Citation, 7th Edition (style guide)

Mark Helprin., Mark Helprin|AUTHOR., & David Colacci|READER. (2009). Digital Barbarism . HarperAudio.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Mark Helprin, Mark Helprin|AUTHOR and David Colacci|READER. 2009. Digital Barbarism. HarperAudio.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Mark Helprin, Mark Helprin|AUTHOR and David Colacci|READER. Digital Barbarism HarperAudio, 2009.

MLA Citation, 9th Edition (style guide)

Mark Helprin, Mark Helprin|AUTHOR, and David Colacci|READER. Digital Barbarism HarperAudio, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDf0210028-24a0-ff1b-4723-6752e2ca8167-eng
Full titledigital barbarism
Authorhelprin mark
Grouping Categorybook
Last Update2024-05-15 02:00:45AM
Last Indexed2024-05-18 05:20:37AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 21, 2023
Last UsedMar 14, 2024

Hoopla Extract Information

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    [synopsis] => World-renowned novelist Mark Helprin offers a ringing Jeffersonian defense of private property in the age of digital culture, with its degradation of thought and language, and collectivist bias against the rights of individual creators. Mark Helprin anticipated that his 2007 New York Times op-ed piece about the extension of the term of copyright would be received quietly, if not altogether overlooked. Within a week, the article had accumulated 750,000 angry comments. He was shocked by the breathtaking sense of entitlement demonstrated by the commenters, and appalled by the breadth, speed, and illogic of their responses. Helprin realized how drastically different this generation is from those before it. The Creative Commons movement and the copyright abolitionists, like the rest of their generation, were educated with a modern bias toward collaboration, which has led them to denigrate individual efforts and in turn fueled their sense of entitlement to the fruits of other people's labors. More important, their selfish desire to "stick it" to the greedy corporate interests who control the production and distribution of intellectual property undermines not just the possibility of an independent literary culture but threatens the future of civilization itself.
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