Critique of Judgment
(eBook)

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Published
Dover Publications, 2012.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780486122205

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Citations

APA Citation, 7th Edition (style guide)

Immanuel Kant., & Immanuel Kant|AUTHOR. (2012). Critique of Judgment . Dover Publications.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Immanuel Kant and Immanuel Kant|AUTHOR. 2012. Critique of Judgment. Dover Publications.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Immanuel Kant and Immanuel Kant|AUTHOR. Critique of Judgment Dover Publications, 2012.

MLA Citation, 9th Edition (style guide)

Immanuel Kant, and Immanuel Kant|AUTHOR. Critique of Judgment Dover Publications, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID2c212007-da5d-42be-841b-b62808ec3cf0-eng
Full titlecritique of judgment
Authorkant immanuel
Grouping Categorybook
Last Update2023-09-11 21:01:26PM
Last Indexed2024-04-13 02:44:10AM

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First LoadedMar 6, 2023
Last UsedMar 27, 2024

Hoopla Extract Information

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    [synopsis] => This 1790 polemic by one of philosophy's most important and influential figures attempts to establish the principles that support the faculty of judgment. Kant's third critique--after Critique of Practical Reason and Critique of Pure Reason--remains one of the most important works on human reason. The Critique of Judgment informs the very basis of modern aesthetics by establishing the almost universally accepted framework for debate of aesthetic issues. As in his previous critiques, Kant seeks to establish a priori principles. The first part of this work addresses aesthetic sensibility. The human response to specific natural phenomena as beautiful, he asserts, is a recognition of nature's harmonious order that corresponds to a mental need for order. The critique's second half focuses on the apparent teleology in nature's design of organisms. The philosopher declares that the mind is predisposed to find purpose and order in nature, and this predisposition forms the main principle underlying all our judgments. Although this could be interpreted as an argument in favor of a creator, Kant insists that a supernatural dimension or the existence of God cannot be proven--such considerations lie beyond the realm of reason, solely within the province of faith.
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