A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful
(eBook)

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Published
Dover Publications, 2012.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780486146768

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APA Citation, 7th Edition (style guide)

Edmund Burke., & Edmund Burke|AUTHOR. (2012). A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful . Dover Publications.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Edmund Burke and Edmund Burke|AUTHOR. 2012. A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful. Dover Publications.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Edmund Burke and Edmund Burke|AUTHOR. A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful Dover Publications, 2012.

MLA Citation, 9th Edition (style guide)

Edmund Burke, and Edmund Burke|AUTHOR. A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful Dover Publications, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3a302372-2ebe-da6c-1748-e5b77d315df8-eng
Full titlephilosophical enquiry into the origin of our ideas of the sublime and beautiful
Authorburke edmund
Grouping Categorybook
Last Update2023-06-21 12:01:05PM
Last Indexed2024-04-13 02:54:37AM

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Hoopla Extract Information

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    [synopsis] => This eloquent 1757 treatise on aesthetics explores how interactions with the physical world affect the formulation of ideals related to beauty and art. Edmund Burke's landmark study not only proved tremendously influential on the development of aesthetic theory, but also offered the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories. The beautiful, according to Burke, comprises that which is well formed and aesthetically pleasing. The sublime, on the other hand, possesses the power to compel and destroy. This distinction bears a noteworthy historical relevance, since the popular preference for the sublime rather than the beautiful indicates the transition from the Neoclassical to the Romantic era. Burke's dissertation is both a precursor of his later political writings and one of the first major works in European literature to explore the concept of the sublime-a topic as fascinating to eighteenth-century thinkers as it is to modern philosophers and critics.
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