Cuba in the American Imagination: Metaphor and the Imperial Ethos
(eBook)

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Published
The University of North Carolina Press, 2008.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780807886946

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APA Citation, 7th Edition (style guide)

Louis A. Pérez., & Louis A. Pérez|AUTHOR. (2008). Cuba in the American Imagination: Metaphor and the Imperial Ethos . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Louis A. Pérez and Louis A. Pérez|AUTHOR. 2008. Cuba in the American Imagination: Metaphor and the Imperial Ethos. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Louis A. Pérez and Louis A. Pérez|AUTHOR. Cuba in the American Imagination: Metaphor and the Imperial Ethos The University of North Carolina Press, 2008.

MLA Citation, 9th Edition (style guide)

Louis A. Pérez, and Louis A. Pérez|AUTHOR. Cuba in the American Imagination: Metaphor and the Imperial Ethos The University of North Carolina Press, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID2ad05220-b4eb-de83-d781-5d26efc66c51-eng
Full titlecuba in the american imagination metaphor and the imperial ethos
Authorpérez louis a
Grouping Categorybook
Last Update2023-09-23 21:58:42PM
Last Indexed2024-03-27 02:36:59AM

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First LoadedJan 11, 2024
Last UsedJan 11, 2024

Hoopla Extract Information

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    [synopsis] => For more than two hundred years, Americans have imagined and described Cuba and its relationship to the United States by conjuring up a variety of striking images--Cuba as a woman, a neighbor, a ripe fruit, a child learning to ride a bicycle. Louis A. Perez Jr. offers a revealing history of these metaphorical and depictive motifs and discovers the powerful motives behind such characterizations of the island as they have persisted and changed since the early nineteenth century. Drawing on texts and visual images produced by Americans ranging from government officials, policy makers, and journalists to travelers, tourists, poets, and lyricists, Perez argues that these charged and coded images of persuasion and mediation were in service to America's imperial impulses over Cuba.
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