At the Bottom of the River
(eAudiobook)

Book Cover
Average Rating
Published
Blackstone Publishing, 2017.
Format
eAudiobook
Status
Available Online

Description

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Physical Description
2h 16m 0s
Language
English
ISBN
9781982435295

Syndetics Unbound

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Citations

APA Citation, 7th Edition (style guide)

Jamaica Kincaid., Jamaica Kincaid|AUTHOR., & Robin Miles|READER. (2017). At the Bottom of the River . Blackstone Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jamaica Kincaid, Jamaica Kincaid|AUTHOR and Robin Miles|READER. 2017. At the Bottom of the River. Blackstone Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jamaica Kincaid, Jamaica Kincaid|AUTHOR and Robin Miles|READER. At the Bottom of the River Blackstone Publishing, 2017.

MLA Citation, 9th Edition (style guide)

Jamaica Kincaid, Jamaica Kincaid|AUTHOR, and Robin Miles|READER. At the Bottom of the River Blackstone Publishing, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID1f492a0b-8342-2b9d-40e6-068033791b3e-eng
Full titleat the bottom of the river
Authorkincaid jamaica
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-05-04 02:37:18AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 29, 2023
Last UsedApr 8, 2024

Hoopla Extract Information

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    [synopsis] => This collection is Jamaica Kincaid's earliest published writings: her inspired, lyrical short stories. These stories plunge the listener gently into another way of perceiving both the physical world and its elusive inhabitants. Her narrative is, by turns, naïvely whimsical and biblical in its assurance, and it speaks of what is partially remembered, partly divined. The memories often concern a childhood in the Caribbean-family, manners, and landscape-as distilled and transformed by Kincaid's special style and vision. Kincaid leads us to consider, as if for the first time, the powerful ties between mother and child, the beauty and destructiveness of nature, the gulf between the masculine and the feminine, the significance of such familiar things as a house, a cup, a pen. Transfiguring our human form and our surroundings-shedding skin, darkening an afternoon, painting a perfect place-these stories tell us something we didn't know, in a way we hadn't expected.
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