Melodrama: Genre, Style and Sensibility
(eBook)

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Published
Columbia University Press, 2013.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780231503068

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Citations

APA Citation, 7th Edition (style guide)

John Mercer., John Mercer|AUTHOR., & Martin Shingler|AUTHOR. (2013). Melodrama: Genre, Style and Sensibility . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

John Mercer, John Mercer|AUTHOR and Martin Shingler|AUTHOR. 2013. Melodrama: Genre, Style and Sensibility. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

John Mercer, John Mercer|AUTHOR and Martin Shingler|AUTHOR. Melodrama: Genre, Style and Sensibility Columbia University Press, 2013.

MLA Citation, 9th Edition (style guide)

John Mercer, John Mercer|AUTHOR, and Martin Shingler|AUTHOR. Melodrama: Genre, Style and Sensibility Columbia University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDfe0dd10a-385c-c101-926a-da824134a02b-eng
Full titlemelodrama genre style and sensibility
Authormercer john
Grouping Categorybook
Last Update2024-05-15 02:00:45AM
Last Indexed2024-05-18 05:31:30AM

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First LoadedAug 19, 2023
Last UsedJan 14, 2024

Hoopla Extract Information

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    [synopsis] => Melodrama: Genre, Style and Sensibility is designed as an accessible overview of one of the most popular genres at undergraduate Film Studies. The book identifies three distinct but connected concepts through which it is possible to make sense of melodrama; either as a genre, originating in European theatre of the 18th and 19th century, as a specific cinematic style, epitomized by the work of Douglas Sirk or as a sensibility that emerges in the context of specific texts, speaking to and reflecting the desires, concerns and anxieties of audiences. Films discussed include All That Heaven Allows, Safe, Fear Eats the Soul, Black Narcissus, Suddenly Last Summer and Rebel Without a Cause. Each chapter includes overviews of key essays, analyses of significant and widely studied films and includes an annotated reading list.
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