Plots
(eBook)

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Published
Columbia University Press, 2016.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780231541473

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Citations

APA Citation, 7th Edition (style guide)

Robert L. Belknap., & Robert L. Belknap|AUTHOR. (2016). Plots . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robert L. Belknap and Robert L. Belknap|AUTHOR. 2016. Plots. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robert L. Belknap and Robert L. Belknap|AUTHOR. Plots Columbia University Press, 2016.

MLA Citation, 9th Edition (style guide)

Robert L. Belknap, and Robert L. Belknap|AUTHOR. Plots Columbia University Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0c058faf-6515-cec5-3e4b-d5f9c2af5f59-eng
Full titleplots
Authorbelknap robert l
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-03-27 02:10:52AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 22, 2023
Last UsedAug 20, 2023

Hoopla Extract Information

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    [synopsis] => Robert L. Belknap's theory of plot illustrates the active and passive role literature plays in creating its own dynamic reading experience. Literary narrative enchants us through its development of plot, but plot tells its own story about the making of narrative, revealing through its structures, preoccupations, and strategies of representation critical details about how and when a work came into being. Through a rich reading of Shakespeare's King Lear and Dostoevsky's Crime and Punishment, Belknap explores the spatial, chronological, and causal aspects of plot, its brilliant manipulation of reader frustration and involvement, and its critical cohesion of characters. He considers Shakespeare's transformation of dramatic plot through parallelism, conflict, resolution, and recognition. He then follows with Dostoevsky's development of the rhetorical and moral devices of nineteenth-century Russian fiction, along with its epistolary and detective genres, to embed the reader in the murder Raskolnikov commits. Dostoevsky's reinvention of the psychological plot was profound, and Belknap effectively challenges the idea that the author abused causality to achieve his ideological conclusion. In a final chapter, Belknap argues that plots teach us novelistic rather than poetic justice. Operating according to their own logic, they provide us with a compelling way to see and order our world.
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