Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys
(eBook)

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Published
Columbia University Press, 2012.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780231850209

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Citations

APA Citation, 7th Edition (style guide)

Barbara Mennel., & Barbara Mennel|AUTHOR. (2012). Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Barbara Mennel and Barbara Mennel|AUTHOR. 2012. Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Barbara Mennel and Barbara Mennel|AUTHOR. Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys Columbia University Press, 2012.

MLA Citation, 9th Edition (style guide)

Barbara Mennel, and Barbara Mennel|AUTHOR. Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys Columbia University Press, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0bc91c45-801e-a9e8-dabe-ec54fca17af8-eng
Full titlequeer cinema schoolgirls vampires and gay cowboys
Authormennel barbara
Grouping Categorybook
Last Update2024-05-15 02:00:45AM
Last Indexed2024-05-21 02:08:44AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 3, 2023
Last UsedApr 5, 2024

Hoopla Extract Information

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    [synopsis] => Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys illustrates queer cinematic aesthetics by highlighting key films that emerged at historical turning points throughout the twentieth century. The book traces the representation of gays and lesbians from the sexual liberation movements of the roaring 1920s in Berlin to the Stonewall Rebellion in New York City and the emergence of queer activism and film in the early 1990s. The book explains early tropes of queerness, such as the boarding school or the vampire, and describes the development of camp from 1950s Hollywood to underground art of the late 1960s in New York City. It concludes with an exploration of the contemporary mainstreaming of gay and lesbian films and global queer cinema. Queer Cinema: Schoolgirls, Vampires and Gay Cowboys thus offers an introduction to a gay and lesbian film history, but also contributes to an academic discussion about queer subversion of mainstream film.
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