Deaths in Venice: The Cases of Gustav von Aschenbach
(eBook)

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Published
Columbia University Press, 2013.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780231536035

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APA Citation, 7th Edition (style guide)

Philip Kitcher., & Philip Kitcher|AUTHOR. (2013). Deaths in Venice: The Cases of Gustav von Aschenbach . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Philip Kitcher and Philip Kitcher|AUTHOR. 2013. Deaths in Venice: The Cases of Gustav Von Aschenbach. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Philip Kitcher and Philip Kitcher|AUTHOR. Deaths in Venice: The Cases of Gustav Von Aschenbach Columbia University Press, 2013.

MLA Citation, 9th Edition (style guide)

Philip Kitcher, and Philip Kitcher|AUTHOR. Deaths in Venice: The Cases of Gustav Von Aschenbach Columbia University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID033aa123-93fb-fbfd-030e-502368d1f71b-eng
Full titledeaths in venice the cases of gustav von aschenbach
Authorkitcher philip
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-03-29 02:03:38AM

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First LoadedMay 22, 2023
Last UsedNov 27, 2023

Hoopla Extract Information

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    [synopsis] => Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Lucchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained, and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.
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