Aesthetic Nervousness: Disability and the Crisis of Representation
(eBook)

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Published
Columbia University Press, 2007.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780231511179

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APA Citation, 7th Edition (style guide)

Ato Quayson., & Ato Quayson|AUTHOR. (2007). Aesthetic Nervousness: Disability and the Crisis of Representation . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ato Quayson and Ato Quayson|AUTHOR. 2007. Aesthetic Nervousness: Disability and the Crisis of Representation. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ato Quayson and Ato Quayson|AUTHOR. Aesthetic Nervousness: Disability and the Crisis of Representation Columbia University Press, 2007.

MLA Citation, 9th Edition (style guide)

Ato Quayson, and Ato Quayson|AUTHOR. Aesthetic Nervousness: Disability and the Crisis of Representation Columbia University Press, 2007.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID32c6f53f-c721-e6c8-e904-58db7c205ef9-eng
Full titleaesthetic nervousness disability and the crisis of representation
Authorquayson ato
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-03-29 02:40:49AM

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Last UsedJan 11, 2024

Hoopla Extract Information

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    [synopsis] => Focusing primarily on the work of Samuel Beckett, Toni Morrison, Wole Soyinka, and J. M. Coetzee, Ato Quayson launches a thoroughly cross-cultural, interdisciplinary study of the representation of physical disability. Quayson suggests that the subliminal unease and moral panic invoked by the disabled is refracted within the structures of literature and literary discourse itself, a crisis he terms "aesthetic nervousness." The disabled reminds the able-bodied that the body is provisional and temporary and that normality is wrapped up in certain social frameworks. Quayson expands his argument by turning to Greek and Yoruba writings, African American and postcolonial literature, depictions of deformed characters in early modern England and the plays of Shakespeare, and children's films, among other texts. He considers how disability affects interpersonal relationships and forces the character and the reader to take an ethical standpoint, much like representations of violence, pain, and the sacred. The disabled are also used to represent social suffering, inadvertently obscuring their true hardships.
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