Impressionism
(eBook)

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Published
Parkstone International, 2012.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781780428017

Syndetics Unbound

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Citations

APA Citation, 7th Edition (style guide)

Nathalia Brodskaya., & Nathalia Brodskaya|AUTHOR. (2012). Impressionism . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Nathalia Brodskaya and Nathalia Brodskaya|AUTHOR. 2012. Impressionism. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Nathalia Brodskaya and Nathalia Brodskaya|AUTHOR. Impressionism Parkstone International, 2012.

MLA Citation, 9th Edition (style guide)

Nathalia Brodskaya, and Nathalia Brodskaya|AUTHOR. Impressionism Parkstone International, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3754acdc-69ba-ad08-23e7-83b3c67f136d-eng
Full titleimpressionism
Authorbrodskaya nathalia
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-04-17 02:40:46AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 22, 2022
Last UsedMar 26, 2024

Hoopla Extract Information

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    [synopsis] => 'I paint what I see and not what it pleases others to see.' What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: 'I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.' In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favored the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analyzing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.
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