Rubens
(eBook)

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Published
Parkstone International, 2011.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781781605943

Syndetics Unbound

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Citations

APA Citation, 7th Edition (style guide)

Jp. A. Calosse., & Jp. A. Calosse|AUTHOR. (2011). Rubens . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jp. A. Calosse and Jp. A. Calosse|AUTHOR. 2011. Rubens. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jp. A. Calosse and Jp. A. Calosse|AUTHOR. Rubens Parkstone International, 2011.

MLA Citation, 9th Edition (style guide)

Jp. A. Calosse, and Jp. A. Calosse|AUTHOR. Rubens Parkstone International, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID06c04e7a-411f-d5df-a1fb-66414a3e3b60-eng
Full titlerubens
Authorcalosse jp a
Grouping Categorybook
Last Update2023-06-21 12:01:05PM
Last Indexed2024-04-17 02:06:16AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 22, 2023
Last UsedMar 8, 2024

Hoopla Extract Information

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    [synopsis] => The eclectic art of which the Carracci family dreamed was realized by Rubens with the ease of genius. However, the problem was much more complicated for a man of the north, who wished to add to it a fusion of the Flemish and Latin spirits, of which the rather pedantic attempts of Romanism had illustrated the difficulties. He achieved it without losing anything of his overflowing personality, his questing imagination, and the enchanting discoveries of the greatest colorist known to painting. Rubens, the greatest master of Baroque painting's exuberance, took from the Italian Renaissance what could be of use to him, and then built upon it a style of his own. It is distinguished by a wonderful mastery of the human form and an amazing wealth of splendidly lighted color. He was a man of much intellectual poise and was accustomed to court life, travelling from court to court, with pomp, as a trusted envoy. Rubens was one of those rare mortals who do real honor to humanity. He was handsome, good and generous, and he loved virtue. His laborious life was well ordered. The creator of so many delightful pagan feasts went each morning to mass before proceeding to his studio. He was the most illustrious type of happy and perfectly balanced genius, and combined in his personage passion and science, ardor and reflection. Rubens expressed drama as well as joy, since nothing human was foreign to him, and he could command at will the pathos of color and expression which he required in his religious masterpieces. It might be said that he was as prolific in the representation of the joy and exuberance of life as Michelangelo was in the representation of passionate emotions.
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