Philip Gefter
(eBook)

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Published
Aperture, 2015.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781597112215

Syndetics Unbound

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Citations

APA Citation, 7th Edition (style guide)

Philip Gefter., & Philip Gefter|AUTHOR. (2015). Philip Gefter . Aperture.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Philip Gefter and Philip Gefter|AUTHOR. 2015. Philip Gefter. Aperture.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Philip Gefter and Philip Gefter|AUTHOR. Philip Gefter Aperture, 2015.

MLA Citation, 9th Edition (style guide)

Philip Gefter, and Philip Gefter|AUTHOR. Philip Gefter Aperture, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID8c00f769-5edf-ae92-ac8a-cea906b5b756-eng
Full titlephilip gefter
Authorgefter philip
Grouping Categorybook
Last Update2023-06-21 12:01:05PM
Last Indexed2024-03-27 04:01:07AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 4, 2023
Last UsedDec 21, 2023

Hoopla Extract Information

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    [synopsis] => In Photography After Frank, former New York Times writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected leaps. Gefter takes Frank's The Americans as a decisive challenge to photographic objectivity, with its grainy, off-hand-seeming spontaneity and its documentation of life beyond the picket fence. Thus viewed, The Americans provides Gefter with a bridge to the phenomenon of the staged document and Postmodernism's further challenge to image fidelity. Other areas of discussion include photojournalism, the recent diversity of portraiture styles, the influence of private and corporate collections on curatorial decisions and how the market shapes art making. Throughout Photography After Frank, Gefter deftly demonstrates Frank's legacy in the work of dozens of important individual artists who followed in his wake, from Lee Friedlander and Nan Goldin to Stephen Shore and Ryan McGinley. The book includes texts written exclusively for this publication as well as essays drawn from Gefter's critical writings, reviews and even obituaries. Photography After Frank offers a page-turning approach to a subject that will appeal to students and art world aficionados alike.
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