The Gendered Screen: Canadian Women Filmmakers
(eBook)

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Published
Wilfrid Laurier University Press, 2010.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781554582716

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Citations

APA Citation, 7th Edition (style guide)

Brenda Austin-Smith., & Brenda Austin-Smith|AUTHOR. (2010). The Gendered Screen: Canadian Women Filmmakers . Wilfrid Laurier University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Brenda Austin-Smith and Brenda Austin-Smith|AUTHOR. 2010. The Gendered Screen: Canadian Women Filmmakers. Wilfrid Laurier University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Brenda Austin-Smith and Brenda Austin-Smith|AUTHOR. The Gendered Screen: Canadian Women Filmmakers Wilfrid Laurier University Press, 2010.

MLA Citation, 9th Edition (style guide)

Brenda Austin-Smith, and Brenda Austin-Smith|AUTHOR. The Gendered Screen: Canadian Women Filmmakers Wilfrid Laurier University Press, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID55c8e185-7cf7-4218-bf3f-0ce7c8722291-eng
Full titlegendered screen canadian women filmmakers
Authoraustin smith brenda
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-04-17 03:02:12AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 21, 2023
Last UsedAug 21, 2023

Hoopla Extract Information

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    [synopsis] => This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Léa Pool, and Patricia Rozema, whose careers have produced major bodies of work. It also introduces critical studies of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and new media video artists. Feminist scholars are re-examining the ways in which authorship, nationality, and gender interconnect. Contributors to this volume emphasize a diverse feminist study of film that is open, inclusive, and self-critical. Issues of hybridity and transnationality as well as race and sexual orientation challenge older forms of discourse on national cinema. Essays address the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist, and the video artist-just some of the diverse identities of Canadian women filmmakers working in both commercial and art cinema today.
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