Anxious Cinephilia: Pleasure and Peril at the Movies
(eBook)

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Published
Columbia University Press, 2020.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780231543309

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APA Citation, 7th Edition (style guide)

Sarah Keller., & Sarah Keller|AUTHOR. (2020). Anxious Cinephilia: Pleasure and Peril at the Movies . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Sarah Keller and Sarah Keller|AUTHOR. 2020. Anxious Cinephilia: Pleasure and Peril At the Movies. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Sarah Keller and Sarah Keller|AUTHOR. Anxious Cinephilia: Pleasure and Peril At the Movies Columbia University Press, 2020.

MLA Citation, 9th Edition (style guide)

Sarah Keller, and Sarah Keller|AUTHOR. Anxious Cinephilia: Pleasure and Peril At the Movies Columbia University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID576440a5-1029-a0a7-ad22-8c0ab35df82a-eng
Full titleanxious cinephilia pleasure and peril at the movies
Authorkeller sarah
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-04-17 03:03:17AM

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Image Sourcehoopla
First LoadedFeb 27, 2023
Last UsedApr 4, 2024

Hoopla Extract Information

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    [synopsis] => The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a "cinephile." In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images. 

Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the movie going experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future.
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