Peopling Insular Art: Practice, Performance, Perception
(eBook)

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Published
Oxbow Books, 2020.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781789254556

Syndetics Unbound

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2020). Peopling Insular Art: Practice, Performance, Perception . Oxbow Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2020. Peopling Insular Art: Practice, Performance, Perception. Oxbow Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. Peopling Insular Art: Practice, Performance, Perception Oxbow Books, 2020.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. Peopling Insular Art: Practice, Performance, Perception Oxbow Books, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDed5108e5-6bdb-1ef3-7d84-260071eed1c6-eng
Full titlepeopling insular art practice performance perception
Authorauthors various
Grouping Categorybook
Last Update2024-05-15 02:00:45AM
Last Indexed2024-05-16 05:13:48AM

Book Cover Information

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First LoadedNov 7, 2023
Last UsedNov 7, 2023

Hoopla Extract Information

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    [synopsis] => The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic, and Norse-speaking artists. The present volume contains a selection of papers presented at the eighth IIAC, which took place in Glasgow 11-14 July 2017. The theme of IIAC8, Peopling Insular Art: Practice, Performance, Perception, was intended to focus attention on those who commissioned, created, and engaged with Insular art objects, and how they conceptualised, fashioned, and experienced them (with 'engagement' covering not only contemporary audiences, but later medieval and modern ones too). The twenty-one articles gathered here reflect the diverse ways in which this theme has been interpreted. They demonstrate the intellectual vibrancy of Insular art studies, its international outlook, its interdiscplinarity, and its openness to innovative technologies and approaches, while at the same time demonstrating the strength and enduring value of established methodologies and research practices. The studies collected here focus not only on made objects, but on the creative processes and intellectual decisions which informed their making. This volume brings Insular makers, the illuminators, pattern-makers, rubricators, carvers, and casters, to the fore.
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