Sea Snakes
(eBook)
Author
Published
Jump!, 2016.
Format
eBook
Accelerated Reader
IL: LG - BL: 1 - AR Pts: 1
Status
Available Online
Description
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Language
English
ISBN
9781641284219
Accelerated Reader
LG
Level 1, 1 Points
Level 1, 1 Points
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Citations
APA Citation, 7th Edition (style guide)
Vanessa Black., & Vanessa Black|AUTHOR. (2016). Sea Snakes . Jump!.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Vanessa Black and Vanessa Black|AUTHOR. 2016. Sea Snakes. Jump!.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Vanessa Black and Vanessa Black|AUTHOR. Sea Snakes Jump!, 2016.
MLA Citation, 9th Edition (style guide)Vanessa Black, and Vanessa Black|AUTHOR. Sea Snakes Jump!, 2016.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouping Information
| Grouped Work ID | 2084ecfe-8e0f-fdc1-2bcb-a28d1b7b2828-eng |
|---|---|
| Full title | sea snakes |
| Author | black vanessa |
| Grouping Category | book |
| Last Update | 2024-01-11 20:01:24PM |
| Last Indexed | 2024-04-23 02:29:42AM |
Book Cover Information
| Image Source | hoopla |
|---|---|
| First Loaded | Mar 16, 2023 |
| Last Used | Apr 20, 2024 |
Hoopla Extract Information
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[synopsis] => Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.
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