Passing
(eBook)

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Published
GENERAL PRESS, 2019.
Format
eBook
Status
Available Online

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Language
English
ISBN
9789389440126

Syndetics Unbound

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APA Citation, 7th Edition (style guide)

Nella Larsen., & Nella Larsen|AUTHOR. (2019). Passing . GENERAL PRESS.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Nella Larsen and Nella Larsen|AUTHOR. 2019. Passing. GENERAL PRESS.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Nella Larsen and Nella Larsen|AUTHOR. Passing GENERAL PRESS, 2019.

MLA Citation, 9th Edition (style guide)

Nella Larsen, and Nella Larsen|AUTHOR. Passing GENERAL PRESS, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID30aa52b8-7f6b-0088-1a1d-7f7f3a3b3681-eng
Full titlepassing
Authorlarsen nella
Grouping Categorybook
Last Update2024-03-24 20:29:46PM
Last Indexed2024-03-27 02:42:04AM

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Image Sourcesyndetics
First LoadedJan 6, 2023
Last UsedMar 27, 2024

Hoopla Extract Information

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    [synopsis] => Generally regarded as Nella Larsen's best work, Passing was first published in 1929 but has received a lot of renewed attention because of its close examination of racial and sexual ambiguities. It has achieved canonical status in many American universities.
Clare Kendry is living on the edge. Light-skinned, elegant, and ambitious, she is married to a racist white man unaware of her African American heritage, and has severed all ties to her past after deciding to 'pass' as a white woman. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, and is simultaneously allured and repelled by Clare's risky decision to engage in racial masquerade for personal and societal gain. After frequenting African American-centric gatherings together in Harlem, Clare's interest in Irene turns into a homoerotic longing for Irene's black identity that she abandoned and can never embrace again, and she is forced to grapple with her decision to pass for white in a way that is both tragic and telling.
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