Drone and Apocalypse: An Exhibit Catalog for the End of the World
(eBook)

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Published
John Hunt Publishing, 2015.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781782799955

Syndetics Unbound

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Citations

APA Citation, 7th Edition (style guide)

Joanna Demers., & Joanna Demers|AUTHOR. (2015). Drone and Apocalypse: An Exhibit Catalog for the End of the World . John Hunt Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Joanna Demers and Joanna Demers|AUTHOR. 2015. Drone and Apocalypse: An Exhibit Catalog for the End of the World. John Hunt Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Joanna Demers and Joanna Demers|AUTHOR. Drone and Apocalypse: An Exhibit Catalog for the End of the World John Hunt Publishing, 2015.

MLA Citation, 9th Edition (style guide)

Joanna Demers, and Joanna Demers|AUTHOR. Drone and Apocalypse: An Exhibit Catalog for the End of the World John Hunt Publishing, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDae6fbdaa-b1a8-5a6c-4e0a-03bf1b91e8ba-eng
Full titledrone and apocalypse an exhibit catalog for the end of the world
Authordemers joanna
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-03-27 04:30:10AM

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    [synopsis] => Drone and Apocalypse is an exhibit catalog for a retrospective of twenty-first-century art. Its narrator, Cynthia Wey, is a failed artist convinced that apocalypse is imminent. She writes critical essays delineating apocalyptic tendencies in drone music and contemporary art. Interspersed amid these essays are "speculative artworks", Wey's term for descriptions of artworks she never constructs that center around the extinction of humanity. Wey's favorite musicians are drone artists like William Basinski, Celer, Thomas Köner, Les Rallizes Dénudés, and Éliane Radigue, and her essays relate their works to moments of ineffability in Herodotus, Aristotle, Plato, Pliny the Elder, Isidore of Seville, Robert Burton, Hegel, and Dostoyevsky. Well after Wey's demise, the apocalypse never arrives, but Wey's journal is discovered. Curators fascinated with twenty-first-century culture use her writings as the basis for their exhibit "Commentaries on the Apocalypse", which realizes Wey's speculative artworks as photographs, collages, and sound/video installations.
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