Love in Infant Monkeys
(eAudiobook)

Book Cover
Average Rating
Published
Dreamscape Media, 2021.
Format
eAudiobook
Status
Available Online

Description

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Physical Description
3h 35m 0s
Language
English
ISBN
9781666536522

Syndetics Unbound

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Citations

APA Citation, 7th Edition (style guide)

Lydia Millet., Lydia Millet|AUTHOR., & Michael Brusasco|READER. (2021). Love in Infant Monkeys . Dreamscape Media.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Lydia Millet, Lydia Millet|AUTHOR and Michael Brusasco|READER. 2021. Love in Infant Monkeys. Dreamscape Media.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Lydia Millet, Lydia Millet|AUTHOR and Michael Brusasco|READER. Love in Infant Monkeys Dreamscape Media, 2021.

MLA Citation, 9th Edition (style guide)

Lydia Millet, Lydia Millet|AUTHOR, and Michael Brusasco|READER. Love in Infant Monkeys Dreamscape Media, 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID7159e196-1867-db56-048c-1cb0b8fb4c67-eng
Full titlelove in infant monkeys
Authormillet lydia
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-03-27 03:38:21AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 3, 2023
Last UsedNov 24, 2023

Hoopla Extract Information

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    [synopsis] => Lions, Komodo dragons, dogs, monkeys, and pheasants?all have shared spotlights and tabloid headlines with celebrities such as Sharon Stone, Thomas Edison, and David Hasselhoff. In this critically acclaimed collection, Lydia Millet hilariously tweaks these unholy communions to run a stake through the heart of our fascination with famous people and pop culture in wildly inventive stories that evoke the spectrum of human feeling and also its limits. While in so much fiction animals exist as symbols of good and evil or as author stand-ins, they represent nothing but themselves in Millet's ruthlessly lucid prose. Implacable in their actions, the animals in Millet's spiraling fictional riffs and flounces show up their humans as bloated with foolishness yet curiously vulnerable, as in a tour-de-force, Kabbalah-infused interior monologue by Madonna after she shoots a pheasant on her Scottish estate. Millet treads newly imaginative territory with these charismatic tales.
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