Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture
(eBook)

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Published
Columbia University Press, 2022.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780231548212

Syndetics Unbound

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APA Citation, 7th Edition (style guide)

Robert O'Meally., & Robert O'Meally|AUTHOR. (2022). Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robert O'Meally and Robert O'Meally|AUTHOR. 2022. Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robert O'Meally and Robert O'Meally|AUTHOR. Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture Columbia University Press, 2022.

MLA Citation, 9th Edition (style guide)

Robert O'Meally, and Robert O'Meally|AUTHOR. Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture Columbia University Press, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDd691bbc4-5188-c380-8b7e-6833e44f87d4-eng
Full titleantagonistic cooperation jazz collage fiction and the shaping of african american culture
Authoromeally robert
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-05-04 05:14:20AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 31, 2023
Last UsedFeb 17, 2024

Hoopla Extract Information

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    [synopsis] => Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.

From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
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