Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military
(eBook)

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Published
Indiana University Press, 2014.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780253014931

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Citations

APA Citation, 7th Edition (style guide)

Alice Lovejoy., & Alice Lovejoy|AUTHOR. (2014). Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Alice Lovejoy and Alice Lovejoy|AUTHOR. 2014. Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Alice Lovejoy and Alice Lovejoy|AUTHOR. Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military Indiana University Press, 2014.

MLA Citation, 9th Edition (style guide)

Alice Lovejoy, and Alice Lovejoy|AUTHOR. Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military Indiana University Press, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDf4d0827f-4ec2-2809-cb9e-e6e3e5813acd-eng
Full titlearmy film and the avant garde cinema and experiment in the czechoslovak military
Authorlovejoy alice
Grouping Categorybook
Last Update2024-04-18 21:15:57PM
Last Indexed2024-04-27 05:44:21AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 20, 2023
Last UsedAug 20, 2023

Hoopla Extract Information

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    [synopsis] => During the 1968 Prague Spring and the Soviet-led invasion and occupation that followed, Czechoslovakia's Army Film studio was responsible for some of the most politically subversive and aesthetically innovative films of the period. Although the studio is remembered primarily as a producer of propaganda and training films, some notable New Wave directors began their careers there, making films that considerably enrich the history of that movement. Alice Lovejoy examines the institutional and governmental roots of postwar Czechoslovak cinema and provides evidence that links the Army Film studio to Czechoslovakia's art cinema. By tracing the studio's unique institutional dimensions and production culture, Lovejoy explores the ways in which the "military avant-garde" engaged in dialogue with a range of global film practices and cultures.
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