Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy
(eBook)

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Published
Indiana University Press, 2020.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780253046321

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Citations

APA Citation, 7th Edition (style guide)

Steven Marsh., & Steven Marsh|AUTHOR. (2020). Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Steven Marsh and Steven Marsh|AUTHOR. 2020. Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Steven Marsh and Steven Marsh|AUTHOR. Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy Indiana University Press, 2020.

MLA Citation, 9th Edition (style guide)

Steven Marsh, and Steven Marsh|AUTHOR. Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy Indiana University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDb3201be3-ad36-5b36-6d5d-53b2ea89ef93-eng
Full titlespanish cinema against itself cosmopolitanism experimentation militancy
Authormarsh steven
Grouping Categorybook
Last Update2024-04-19 22:00:37PM
Last Indexed2024-04-23 04:37:46AM

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First LoadedJul 21, 2023
Last UsedNov 25, 2023

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    [synopsis] => Spanish Cinema Against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s-with the work of Luis Buñuel and Salvador Dalí, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo-through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.

"In this exhilarating counter-history of experimental filmmaking in Spain, Steven Marsh takes up the politics of form, the trouble with film history, and the theoretical potential of haunting, discontinuity, and absence... Spanish Cinema Against Itself is an important intervention in Spanish film studies and, indeed, in the scholarship on world cinema." -Rosalind Galt, Professor of Film Studies, King's College London
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