Memoirs of Egotism
(eBook)

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Published
Fall River Press, 2012.
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eBook
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Available Online

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Language
English
ISBN
9781435142220

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Citations

APA Citation, 7th Edition (style guide)

Stendhal., & Stendhal|AUTHOR. (2012). Memoirs of Egotism . Fall River Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Stendhal and Stendhal|AUTHOR. 2012. Memoirs of Egotism. Fall River Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Stendhal and Stendhal|AUTHOR. Memoirs of Egotism Fall River Press, 2012.

MLA Citation, 9th Edition (style guide)

Stendhal, and Stendhal|AUTHOR. Memoirs of Egotism Fall River Press, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID43654dcd-71ea-9b04-cf10-73268017a4a2-eng
Full titlememoirs of egotism
Authorstendhal
Grouping Categorybook
Last Update2023-08-15 21:00:35PM
Last Indexed2024-04-17 02:49:21AM

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First LoadedSep 14, 2023
Last UsedSep 14, 2023

Hoopla Extract Information

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    [synopsis] => Written in 1832, three years before “The Life of Henry Brulard” (which recounts the author's boyhood and youth), “Memoirs of Egotism” forms the essential middle section of Stendhal's intended autobiography. Along with Journals of Italy, these volumes comprise what André Gide has called one of the truly great autobiographies in any language.
Unpublished until fifty years after the Stendhal's death, “Memoirs of Egotism” concerns itself exclusively with the decade following his return from Milan to Paris in 1821. Stendhal appears as a cynical wit, adventurer, lover, brilliant conversationalist, and secret man of letters. We are privy to his encounters in the salons and boudoirs of the capital, with his attendant hopes (realized and disappointed), private foibles, and social miscalculations. Stendhal's passionate and ceaseless pursuit of happiness is on display, intertwined, as always, with the undercutting wit and unsparing self-analysis that have transformed his name into an adjective for an entire point of view-all as frankly conveyed and keenly observed as in any memoir before or since.
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