G: Fricatives
(eBook)

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Published
Palimpsest Press, 2023.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781990293559

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Citations

APA Citation, 7th Edition (style guide)

Klara du Plessis., Klara du Plessis|AUTHOR., & Khashayar 'Kess' Mohammadi|AUTHOR. (2023). G: Fricatives . Palimpsest Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Klara du Plessis, Klara du Plessis|AUTHOR and Khashayar 'Kess' Mohammadi|AUTHOR. 2023. G: Fricatives. Palimpsest Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Klara du Plessis, Klara du Plessis|AUTHOR and Khashayar 'Kess' Mohammadi|AUTHOR. G: Fricatives Palimpsest Press, 2023.

MLA Citation, 9th Edition (style guide)

Klara du Plessis, Klara du Plessis|AUTHOR, and Khashayar 'Kess' Mohammadi|AUTHOR. G: Fricatives Palimpsest Press, 2023.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID52adbbdf-b2b7-221a-dd35-23d0cc7653ae-eng
Full titleg fricatives
Authorplessis klara du
Grouping Categorybook
Last Update2024-03-28 21:56:07PM
Last Indexed2024-05-04 03:19:11AM

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    [synopsis] => G is a sound. Phonetically, it is represented as [χ]-and corresponds to خ in the Arabic alphabet-a guttural resonance shared between Afrikaans and Persian. Hinging on this mutual fricative sonically prominent in their respective languages, and a playful inclusion of homonyms across English, Afrikaans, and Persian, Klara du Plessis and Khashayar "Kess" Mohammadi composed G collaboratively in a shared Google document, an act of hospitality into their languages. Amplifying common etymologies, but centering communication beyond the delimitation of verbal systems, this work stages a conceptual project of human interconnection through the metaphors of tongue, speech, and poetry as sound. G builds on both poets' earlier translingual and translation work, including du Plessis' award-winning Ekke and Mohammadi's Me, You, Then Snow. G is a sound. Phonetically, it is represented as [χ]-and corresponds to خ in the Arabic alphabet-a guttural resonance shared between Afrikaans and Persian. Hinging on this mutual fricative sonically prominent in their respective languages, and a playful inclusion of homonyms across English, Afrikaans, and Persian, Klara du Plessis and Khashayar "Kess" Mohammadi composed G collaboratively in a shared Google document, an act of hospitality into their languages. Amplifying common etymologies, but centering communication beyond the delimitation of verbal systems, this work stages a conceptual project of human interconnection through the metaphors of tongue, speech, and poetry as sound. G builds on both poets' earlier translingual and translation work, including du Plessis' award-winning Ekke and Mohammadi's Me, You, Then Snow. G is a sound. Phonetically, it is represented as [χ]-and corresponds to خ in the Arabic alphabet-a guttural resonance shared between Afrikaans and Persian. Hinging on this mutual fricative sonically prominent in their respective languages, and a playful inclusion of homonyms across English, Afrikaans, and Persian, Klara du Plessis and Khashayar "Kess" Mohammadi composed G collaboratively in a shared Google document, an act of hospitality into their languages. Amplifying common etymologies, but centering communication beyond the delimitation of verbal systems, this work stages a conceptual project of human interconnection through the metaphors of tongue, speech, and poetry as sound. G builds on both poets' earlier translingual and translation work, including du Plessis' award-winning Ekke and Mohammadi's Me, You, Then Snow. G begins in the throat, where sound is channeled into singular language. But instead of funneling, this is fun. It risks a split lip. du Plessis and Mohammadi "lick the knife of meaning with flaming imprecision." They flick and flit between Afrikaans and Persian, between Celan and the versioning that makes connections where none were apparent. One poem warns, "you are now where language no longer serves you." Instead, it swerves you. We end up upended, reconfigured and entirely new.
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