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This timely book examines the power and role of the image in modern Middle Eastern societies. The essays explore the role and function of image making to highlight the ways in which the images "speak" and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East addresses aspects of the visual in the Islamic world, including...
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Why would a Hollywood film become a Nigerian video remake, a Tanzanian comic book, or a Congolese music video? Matthias Krings explores the myriad ways Africans respond to the relentless onslaught of global culture. He seeks out places where they have adapted pervasive cultural forms to their own purposes as photo novels, comic books, songs, posters, and even scam letters. These African appropriations reveal the broad scope of cultural mediation that...
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Exploring the origins, organization, subject matter, and performance contexts of singers and singing, Women's Songs from West Africa expands our understanding of the world of women in West Africa and their complex and subtle roles as verbal artists. Covering Cte d'Ivoire, the Gambia, Mali, Niger, Nigeria, Senegal, and beyond, the essays attest to the importance of women's contributions to the most widespread form of verbal art in Africa.
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This study of media and migrant communities in Germany's capital city is a "model of clarity and rigor in its arguments" (Martin Stokes, University of Chicago).
In this innovative and thought-provoking study, Kira Kosnick explores the landscape of Turkish-language broadcasting in Berlin. From twenty-four-hour radio broadcasting in Turkish to programming on Germany's national public broadcasting and local public access channels, Germany's largest...
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La pandémie du COVID-19 s'estompe mais les humeurs persistent ! Patrick Huchet nous présente son dernier recueil de chroniques, intitulé Humeurs post covidiennes – Tome III, dans lequel il continue de réagir spontanément aux événements sociaux, politiques et culturels qui l'interpellent. L'auteur, avec une touche d'humour, agrémente ses réflexions de références pertinentes issues du monde de la musique et du cinéma qu'il maîtrise particulièrement...
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During the 1968 Prague Spring and the Soviet-led invasion and occupation that followed, Czechoslovakia's Army Film studio was responsible for some of the most politically subversive and aesthetically innovative films of the period. Although the studio is remembered primarily as a producer of propaganda and training films, some notable New Wave directors began their careers there, making films that considerably enrich the history of that movement....
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Despite the long history of music in film, its serious academic study is still a relatively recent development and therefore comprises a limited body of work. The contributors to this book, drawn from both film studies and musicology, attempt to rectify this oversight by investigating film music from the vibrant, productive, politically charged period before World War II. They apply a variety of methodologies-including archival work, close readings,...
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Seventeen essays examining the impact of new media on the history of cinema.
In 1888, Thomas Edison announced that he was experimenting on "an instrument which does for the eye what the phonograph does for the ear, which is the recording and reproduction of things in motion." Just as Edison's investigations were framed in terms of the known technologies of the phonograph and the microscope, the essays in this collection address the contexts of innovation...
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Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it.
In the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance...
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This comprehensive study of the Danish film company demonstrates how it became one of the most important innovators of the silent era.
Established in 1906, Nordisk Films Kompagni's rise and fall is one of the most dramatic stories of the early film industry. Based on archival research, primarily in the company's surviving business archives, this volume describes and analyzes how Nordisk Films became one of the leading players in the world market-and...
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This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film.
In Napoli/New York/Hollywood, Italian cinema historian Giuliana Muscio investigates the significant influence of Italian immigrant actors, musicians, and directors on Hollywood cinema. Using a provocative interdisciplinary approach, Muscio demonstrates how these artists and workers preserved their cultural...
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In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as "documentary" and the way in which they investigate, engage with, and interrogate the world.
Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These...
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From efficient instructions on how to kill civilians to horrifying videos of beheadings, no terrorist organization has more comprehensively weaponized social media than ISIS. Its strategic, multiplatformed campaign is so effective that it has ensured global news coverage and inspired hundreds of young people around the world to abandon their lives and their countries to join a foreign war. The Media World of ISIS explores the characteristics, mission,...
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The representation of aquatic people in contemporary film and television-from their on-screen sexuality to the mockumentaries they've inspired.
Mermaids have been a feature of western cinema since its inception and the number of films, television series, and videos representing them has expanded exponentially since the 1980s. Making a Splash analyses texts produced within a variety of audiovisual genres. Following an overview of mermaids in western...
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This fascinating study of early cinema in the Netherlands Indies explores the influences of new media technology on colonial society.
The Komedi Bioscoop traces the emergence of a local culture of movie-going in the Netherlands Indies (present-day Indonesia) from 1896 until 1914. It outlines the introduction of the new technology by independent touring exhibitors, the constitution of a market for moving picture shows, the embedding of moving picture...
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An exploration of the political economy of media, and to what extent global communications and popular entertainment continue to serve elite interests.
In Communications Media, Globalization, and Empire, an international team of experts analyzes and critiques the political economy of media communications worldwide. Their analysis takes particular account of the sometimes conflicting pressures of globalization and "neo-imperialism." The first is commonly...
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A study of mass media in twenty-first-century South Africa offering.
In Media in Post apartheid South Africa, Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world.
Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship...
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The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive tendency to treat these tragic events as spectacle.
Though the collapse of the World Trade Center was "the most photographed disaster in history," it...
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Essays examining the relationships between culture, film, and the audience around the turn of the twentieth century.
The current digital revolution has sparked a renewed interest in the origins and trajectory of modern media, particularly in the years around 1900 when the technology was rapidly developing. This collection aims to broaden our understanding of early cinema as a significant innovation in media history. Joining traditional scholarship...
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A collection of essays exploring current issues in early film archiving, curation, and research.
Invented in the 1890s and premiered in Paris by the Lumière brothers, the cinematograph along with Louis Le Prince's single-lens camera projector are considered by film historians to be the precursors to modern-day motion picture devices. These early movies were often shown in town halls, on fairgrounds, and in theaters, requiring special showmanship...
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