City Symphony Volume 1
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Canyon Cinema Foundation, 1990., Kanopy Streaming, 2016.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (29 minutes): digital, .flv file, sound
Status
Description
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More Details
Language
English
Notes
General Note
In Process Record.
General Note
Title from title frames.
General Note
Film
Date/Time and Place of Event
Originally produced by Canyon Cinema Foundation in 1990.
Description
Includes two films: Continuum and Deconstruction Sight.. "This is history without narrative, an abstract summation of what happens when human beings move stuff around and make something of it, grow tired of what they've made and demolish it using other things they've made, and then start all over again. What we build, what we destroy, what we find useful to do both, how we let our interaction with them describe what we call human - these are some of the ideas Angerame's Deconstruction Sight suggests.". . From an essay by Barbara Jaspersen Voorhees, 1990. . "...the images of Continuum certainly haunt me: there was the softest continual casualness of editing (beseeming "casualness", I should say; for I certainly DO know how difficult this is to accomplish), and a steadiness-of rhythm, always moving/moving but never as anything ominous to me, or inexorable something more like very heavy water lapping. Then the blacks and whites, evolving from some gray "cloud" into the stark sharp glistens of "stars" in the deep black of "tar" for the "tar" too seemed more night that what you'd photographed. It was amazing to me how little evidence there was in the film of the Time in which it was made, or even the location: I found myself tending to forget that these were City-chores, that this was rooftop work, so forth: just the labor, the continuity of labor, timeless, and ongoing, without inexorable. Bravo.". . Stan Brakhage. .
System Details
Mode of access: World Wide Web.
Also in this Series
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Citations
APA Citation, 7th Edition (style guide)
(1990). City Symphony Volume 1 . Canyon Cinema Foundation.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)1990. City Symphony Volume 1. Canyon Cinema Foundation.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)City Symphony Volume 1 Canyon Cinema Foundation, 1990.
MLA Citation, 9th Edition (style guide)City Symphony Volume 1 Canyon Cinema Foundation, 1990.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
029a374a-7b31-972e-8360-ae8862d537d5-eng
Grouping Information
Grouped Work ID | 029a374a-7b31-972e-8360-ae8862d537d5-eng |
---|---|
Full title | city symphony volume 1 |
Author | canyon cinema foundation |
Grouping Category | movie |
Last Update | 2023-10-10 10:47:32AM |
Last Indexed | 2024-05-21 02:02:31AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Jan 14, 2024 |
Last Used | Jan 14, 2024 |
Marc Record
First Detected | Dec 17, 2022 12:57:27 AM |
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Last File Modification Time | Oct 10, 2023 10:50:32 AM |
MARC Record
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500 | |a In Process Record. | ||
500 | |a Title from title frames. | ||
500 | |a Film | ||
518 | |a Originally produced by Canyon Cinema Foundation in 1990. | ||
520 | |a Includes two films: Continuum and Deconstruction Sight.. "This is history without narrative, an abstract summation of what happens when human beings move stuff around and make something of it, grow tired of what they've made and demolish it using other things they've made, and then start all over again. What we build, what we destroy, what we find useful to do both, how we let our interaction with them describe what we call human - these are some of the ideas Angerame's Deconstruction Sight suggests.". . From an essay by Barbara Jaspersen Voorhees, 1990. . "...the images of Continuum certainly haunt me: there was the softest continual casualness of editing (beseeming "casualness", I should say; for I certainly DO know how difficult this is to accomplish), and a steadiness-of rhythm, always moving/moving but never as anything ominous to me, or inexorable something more like very heavy water lapping. Then the blacks and whites, evolving from some gray "cloud" into the stark sharp glistens of "stars" in the deep black of "tar" for the "tar" too seemed more night that what you'd photographed. It was amazing to me how little evidence there was in the film of the Time in which it was made, or even the location: I found myself tending to forget that these were City-chores, that this was rooftop work, so forth: just the labor, the continuity of labor, timeless, and ongoing, without inexorable. Bravo.". . Stan Brakhage. . | ||
538 | |a Mode of access: World Wide Web. | ||
650 | 0 | |a Arts--Experimental methods. | |
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710 | 2 | |a Kanopy (Firm),|4 dst | |
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