Mozart In Love.
(eVideo)
Contributors
Rappaport, Mark, film director.
LaBonte, Rich, actor.
Mark Rappaport (Firm), Distributor
Kanopy (Firm), Distributor
LaBonte, Rich, actor.
Mark Rappaport (Firm), Distributor
Kanopy (Firm), Distributor
Published
[San Francisco, California, USA] : Mark Rappaport, 1975., Kanopy Streaming, 2019.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (98 minutes): digital, .flv file, sound
Status
Description
Loading Description...
More Details
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Rich LaBonte
Date/Time and Place of Event
Originally produced by Mark Rappaport in 1975.
Description
Mark Rappaport's second feature film (amongst a remarkable string of off-beat, experimental narratives that runs from CASUAL RELATIONS to CHAIN LETTERS) takes off from the deliberate anachronism of using modern props, performance styles and attitudes to evoke the romantic entanglements of the young Wolfgang Amadeus Mozart (Rich La Bonte) with three sisters: Constanza (Margot Breier), Sophie (Sasha Nanus) and Louisa (Sissy Smith). This melodramatic plot of rejection, pining and sacrifice may have its basis in reality, but everything else is strictly stylized: back-projected settings, mix-and-match historical costumes, primary-colored walls, actors striking poses and the miming to records of Mozart arias, frequently interrupted by the raw audio track of real, untrained singing. For Rappaport, the ideological myths we internalize and the soap operas we live have to be exposed and mocked, just as the constructed illusion we call filmic realism has to be relentlessly dismantled. Both very much of its time (a cousin to contemporaneous works by Yvonne Rainer) and ahead of its time (anticipating the droll strategies of Hal Hartley), MOZART IN LOVE offers a handy checklist of the many acute, often hilarious games of disenchantment devised by this ever-inventive artist. "*An irreverent take on Mozart's relations with the three Weber sisters: Louisa, whom he loved, but who didn't love him; Constanza, whom he loved and married; and Sophie, who loved him but whom he didn't love. An anthology of arias from Mozart's operas, in which art comments on life through a cheeky use of back-projection and miming to records.*" —Ian Christie, ***British Film Institute***
System Details
Mode of access: World Wide Web.
Also in this Series
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Citations
APA Citation, 7th Edition (style guide)
Rappaport, M., & LaBonte, R. (1975). Mozart In Love . Mark Rappaport.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Rappaport, Mark and Rich, LaBonte. 1975. Mozart In Love. Mark Rappaport.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Rappaport, Mark and Rich, LaBonte. Mozart In Love Mark Rappaport, 1975.
MLA Citation, 9th Edition (style guide)Rappaport, Mark,, and Rich LaBonte. Mozart In Love Mark Rappaport, 1975.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
baec2ace-f04d-9ec2-c660-fe61053bf7f6-eng
Grouping Information
Grouped Work ID | baec2ace-f04d-9ec2-c660-fe61053bf7f6-eng |
---|---|
Full title | mozart in love |
Author | mark rappaport |
Grouping Category | movie |
Last Update | 2023-10-10 10:47:32AM |
Last Indexed | 2024-03-27 04:39:49AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Jul 22, 2023 |
Last Used | Mar 16, 2024 |
Marc Record
First Detected | Dec 17, 2022 12:59:05 AM |
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Last File Modification Time | Oct 10, 2023 10:53:17 AM |
MARC Record
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520 | |a Mark Rappaport's second feature film (amongst a remarkable string of off-beat, experimental narratives that runs from CASUAL RELATIONS to CHAIN LETTERS) takes off from the deliberate anachronism of using modern props, performance styles and attitudes to evoke the romantic entanglements of the young Wolfgang Amadeus Mozart (Rich La Bonte) with three sisters: Constanza (Margot Breier), Sophie (Sasha Nanus) and Louisa (Sissy Smith). This melodramatic plot of rejection, pining and sacrifice may have its basis in reality, but everything else is strictly stylized: back-projected settings, mix-and-match historical costumes, primary-colored walls, actors striking poses and the miming to records of Mozart arias, frequently interrupted by the raw audio track of real, untrained singing. For Rappaport, the ideological myths we internalize and the soap operas we live have to be exposed and mocked, just as the constructed illusion we call filmic realism has to be relentlessly dismantled. Both very much of its time (a cousin to contemporaneous works by Yvonne Rainer) and ahead of its time (anticipating the droll strategies of Hal Hartley), MOZART IN LOVE offers a handy checklist of the many acute, often hilarious games of disenchantment devised by this ever-inventive artist. "*An irreverent take on Mozart's relations with the three Weber sisters: Louisa, whom he loved, but who didn't love him; Constanza, whom he loved and married; and Sophie, who loved him but whom he didn't love. An anthology of arias from Mozart's operas, in which art comments on life through a cheeky use of back-projection and miming to records.*" —Ian Christie, ***British Film Institute*** | ||
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