Woman With an Editing Bench
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Ronin Films, 2016., Kanopy Streaming, 2018.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (16 minutes): digital, .flv file, sound
Status
Description
Loading Description...
More Details
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Leeanna Walsman, Richard James Allen, Marcus Graham
Date/Time and Place of Event
Originally produced by Ronin Films in 2016.
Description
Inspired by a true story, WOMAN WITH AN EDITING BENCH pays homage to the creativity of Elizaveta Svilova - the unsung editor behind Dziga Vertov's 1929 documentary masterpiece "Man with a Movie Camera" (No 1 on the 'Sight and Sound' list of Best Documentaries of all time). It uses her revolutionary editing techniques to reveal her thoughts and recuperate her legacy in the history of cinema.. WOMAN WITH AN EDITING BENCH is about sustaining creativity and fighting repression. In 1930s Russia, Dziga Vertov and Elizaveta Svilova make radical, groundbreaking films. Stalin, threatened by their innovations, wants his henchmen to suppress them. Vertov, unhappy and artistically constrained, is inept at working with the bureaucracy. Svilova knows how to work the system laterally and from behind the scenes - as all great editors do. She is also adept at working with Vertov's mind, understanding what he wants to say and how he wants to say it. Svilova's editing makes Vertov's genius possible. Vertov's eccentricity makes Svilova's editing genius indispensable.
System Details
Mode of access: World Wide Web.
Also in this Series
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Subjects
LC Subjects
Other Subjects
Citations
APA Citation, 7th Edition (style guide)
(2016). Woman With an Editing Bench . Ronin Films.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2016. Woman With an Editing Bench. Ronin Films.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Woman With an Editing Bench Ronin Films, 2016.
MLA Citation, 9th Edition (style guide)Woman With an Editing Bench Ronin Films, 2016.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
ee9f3767-ff20-9f17-5cc8-ece30faf7786-eng
Grouping Information
| Grouped Work ID | ee9f3767-ff20-9f17-5cc8-ece30faf7786-eng |
|---|---|
| Full title | woman with an editing bench |
| Author | ronin films |
| Grouping Category | movie |
| Last Update | 2023-10-10 10:47:32AM |
| Last Indexed | 2024-04-23 05:28:58AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Mar 2, 2023 |
| Last Used | Nov 18, 2023 |
Marc Record
| First Detected | Dec 17, 2022 12:58:31 AM |
|---|---|
| Last File Modification Time | Oct 10, 2023 10:52:18 AM |
MARC Record
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| 500 | |a In Process Record. | ||
| 511 | 0 | |a Leeanna Walsman, Richard James Allen, Marcus Graham | |
| 518 | |a Originally produced by Ronin Films in 2016. | ||
| 520 | |a Inspired by a true story, WOMAN WITH AN EDITING BENCH pays homage to the creativity of Elizaveta Svilova - the unsung editor behind Dziga Vertov's 1929 documentary masterpiece "Man with a Movie Camera" (No 1 on the 'Sight and Sound' list of Best Documentaries of all time). It uses her revolutionary editing techniques to reveal her thoughts and recuperate her legacy in the history of cinema.. WOMAN WITH AN EDITING BENCH is about sustaining creativity and fighting repression. In 1930s Russia, Dziga Vertov and Elizaveta Svilova make radical, groundbreaking films. Stalin, threatened by their innovations, wants his henchmen to suppress them. Vertov, unhappy and artistically constrained, is inept at working with the bureaucracy. Svilova knows how to work the system laterally and from behind the scenes - as all great editors do. She is also adept at working with Vertov's mind, understanding what he wants to say and how he wants to say it. Svilova's editing makes Vertov's genius possible. Vertov's eccentricity makes Svilova's editing genius indispensable. | ||
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