Jasper Johns: Take an Object.
(eVideo)
Contributors
Wechsler, Judith, film director.
Namuth, Hans, actor.
Wechsler, Judith, actor.
Judith Wechsler (Firm), Distributor
Kanopy (Firm), Distributor
Namuth, Hans, actor.
Wechsler, Judith, actor.
Judith Wechsler (Firm), Distributor
Kanopy (Firm), Distributor
Published
[San Francisco, California, USA] : Judith Wechsler, 1989., Kanopy Streaming, 2019.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (26 minutes): digital, .flv file, sound
Status
Description
Loading Description...
More Details
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Hans Namuth, Judith Wechsler
Date/Time and Place of Event
Originally produced by Judith Wechsler in 1989.
Description
A portrait of the artist at work. The film begins in 1972 with Johns repainting Air Ocean World based on Buckminster Fuller’s dymaxion map. Johns work is traced over the next eighteen years. His Untitled, 1973, with its cross-hatching, flagstones, and anatomical parts become recurrent motifs, as Johns begins to imbed skulls and severed arms in them. The paintings become more personal as Johns gradually “drops the reserve” in his recent series, “The Seasons.” The film culminates with Johns working on the final state of the etching based on “The Seasons.”
System Details
Mode of access: World Wide Web.
Also in this Series
Checking series information...
Citations
APA Citation, 7th Edition (style guide)
Wechsler, J., & Namuth, H. (1989). Jasper Johns: Take an Object . Judith Wechsler.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Wechsler, Judith and Hans, Namuth. 1989. Jasper Johns: Take an Object. Judith Wechsler.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Wechsler, Judith and Hans, Namuth. Jasper Johns: Take an Object Judith Wechsler, 1989.
MLA Citation, 9th Edition (style guide)Wechsler, Judith,, and Hans Namuth. Jasper Johns: Take an Object Judith Wechsler, 1989.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
32070590-6989-4bf9-942b-dd0e4df56c12-eng
Grouping Information
| Grouped Work ID | 32070590-6989-4bf9-942b-dd0e4df56c12-eng |
|---|---|
| Full title | jasper johns take an object |
| Author | judith wechsler |
| Grouping Category | movie |
| Last Update | 2023-10-10 10:47:32AM |
| Last Indexed | 2024-04-17 02:37:01AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Jul 20, 2023 |
| Last Used | Jan 28, 2024 |
Marc Record
| First Detected | Dec 17, 2022 01:00:16 AM |
|---|---|
| Last File Modification Time | Oct 10, 2023 10:55:24 AM |
MARC Record
| LEADER | 02187ngm a2200481 i 4500 | ||
|---|---|---|---|
| 001 | kan6913772 | ||
| 003 | CaSfKAN | ||
| 005 | 20191022115748.0 | ||
| 006 | m o c | ||
| 007 | cr una---unuuu | ||
| 007 | vz uzazuu | ||
| 008 | 191022p20191989cau025 o vleng d | ||
| 028 | 5 | 2 | |a 6913772|b Kanopy |
| 035 | |a (OCoLC)1128177307 | ||
| 040 | |a CaSfKAN|b eng|e rda|c CaSfKAN | ||
| 245 | 0 | 0 | |a Jasper Johns: Take an Object. |
| 264 | 1 | |b Judith Wechsler,|c 1989. | |
| 264 | 1 | |a [San Francisco, California, USA] :|b Kanopy Streaming,|c 2019. | |
| 300 | |a 1 online resource (streaming video file) (26 minutes):|b digital, .flv file, sound | ||
| 336 | |a two-dimensional moving image|b tdi|2 rdacontent | ||
| 337 | |a computer|b c|2 rdamedia | ||
| 338 | |a online resource|b cr|2 rdacarrier | ||
| 344 | |a digital | ||
| 347 | |a video file|b MPEG-4|b Flash | ||
| 500 | |a Title from title frames. | ||
| 500 | |a Film | ||
| 500 | |a In Process Record. | ||
| 511 | 0 | |a Hans Namuth, Judith Wechsler | |
| 518 | |a Originally produced by Judith Wechsler in 1989. | ||
| 520 | |a A portrait of the artist at work. The film begins in 1972 with Johns repainting Air Ocean World based on Buckminster Fuller’s dymaxion map. Johns work is traced over the next eighteen years. His Untitled, 1973, with its cross-hatching, flagstones, and anatomical parts become recurrent motifs, as Johns begins to imbed skulls and severed arms in them. The paintings become more personal as Johns gradually “drops the reserve” in his recent series, “The Seasons.” The film culminates with Johns working on the final state of the etching based on “The Seasons.” | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 650 | 0 | |a Artists. | |
| 650 | 0 | |a History. | |
| 650 | 0 | |a Art. | |
| 650 | 0 | |a Documentary films. | |
| 655 | 7 | |a Documentary films.|2 lcgft | |
| 700 | 1 | |a Wechsler, Judith,|e film director. | |
| 700 | 1 | |a Namuth, Hans,|e actor. | |
| 700 | 1 | |a Wechsler, Judith,|e actor. | |
| 710 | 2 | |a Judith Wechsler (Firm),|4 dst | |
| 710 | 2 | |a Kanopy (Firm),|4 dst | |
| 856 | 4 | 0 | |u https://pascolibraries.kanopy.com/node/5913773|z A Kanopy streaming video |
| 856 | 4 | 2 | |z Cover Image|u https://www.kanopy.com/node/5913773/external-image |
